External Link External Link

Erik Ljung

Erik Ljung is a freelance Producer and Director of Photography currently based in the midwest. He has produced content and short documentaries for the New York Times, VICE News, Al Jazeera, PBS and the Wall Street Journal. In 2016 he won a midwest Emmy for his work on public television's Wisconsin Foodie. His cinematography can be seen on CNN’s The 414’s, which premiered at Sundance, and Almost Sunrise slated to air on POV in 2017. He is a former Nohl Fellow, and a two-time Brico Forward Fund recipient for his documentary work.

Pamela Yates

Pamela Yates is a co-founder of Skylight Pictures and currently the Creative Director of Skylight, a company dedicated to creating feature length documentary films and digital media tools that advance awareness of human rights and the quest for justice by implementing multi-year outreach campaigns designed to engage, educate and activate social change. Her 2011 film was Granito: How to Nail a Dictator, for which she was awarded a Guggenheim fellowship. The film was used as key forensic evidence in the Ríos Montt genocide conviction in Guatemala. Yates is an American filmmaker and human rights defender and was born and raised in the Appalachian coal mining region of Pennsylvania, but left home at an early age to live in New York City.

Brian Knappenberger

Brian Knappenberger's film Nobody Speak: Trials of the Free Press premiered at the 2017 Sundance Film Festival. His previous film The Internet’s Own Boy:The Story of Aaron Swartz won the Writers Guild Award for Outstanding Documentary Screenplay. His other work includes We Are Legion:The Story of the Hacktivists and the series Truth And Power.

Matthew Heineman

Matthew Heineman is an award-winning documentary filmmaker. His previous film Cartel Land (2015) was nominated for the Academy Award for Best Documentary Feature, won three Emmy awards, and captured the Jury award for Directing and Cinematography at the Sundance Film Festival. He also directed Escape Fire: The Fight to Rescue American Healthcare (2012) and Our Time (2009) and contributed to the HBO series The Alzheimer’s Project (2009).

Rober Calzadilla

Rober Calzadilla is an actor, screenwriter and director. He trained at the Juana Sujo School of Performing Arts and the Central University of Venezuela School of the Arts. His directorial credits include the mid-length El país de abril (13) and El Amparo (16), his feature debut.     

Sophia Scott

Sophia is an experienced producer, director and cinematographer, and has worked for organizations including the BBC and Channel 4. She has also worked extensively as a self shooting camerawoman across Africa and Asia on projects for the UN, PBS, CBC, The New York Times and Human Rights Watch among others. After completing a foundation year at the European Film College in Denmark in 2002 she went on to study Documentary Film and Television graduating with a BA (Hons ) from the International Film School of Wales before moving to Kenya where she spent the first 6 years of her film career. Sophia then made her first feature documentary In the Shadow of War in Bosnia in 2014 which was nominated for the Grand Jury Award at Sheffield Doc Fest and the First Appearance and Oxfam Global Justice Awards at IDFA. She recently completed her second feature film, Lost in Lebanon, filmed on the Syrian border during 2014-2016. 

Georgia Scott

Georgia is an experienced producer, director and editor. Her first documentary film, set in Kenya explored the threats facing a unique Swahili community on Lamu Island on the border with Somalia. Georgia graduated with a BA (hons) degree in Production Design from the University of the Arts, London in 2011. She went on to manage a product design company before setting up GroundTruth Productions with Sophia. Georgia then made her first feature documentary In the Shadow of War in Bosnia in 2014 which was nominated for the Grand Jury Award at Sheffield Doc Fest and the First Appearance and Oxfam Global Justice Awards at IDFA. She recently completed her second feature film, Lost in Lebanon, filmed on the Syrian border during 2014-2016.

Alexander Kuznetsov

Alexander Kuznetsov work's as a photographer was published in many magazines and exhibited in Russia (Russian Museum Of Saint Petersburg), Norway, France, the U.S.A. and Germany. He begins his cinematographic career in 2009 by participating in a writing residence in Krasnoyarsk.  He directed his first documentary in 2010 : “Territory of Love” which was screened in France, at Lussas “Etats Généraux du Documentaire” and at the Honfleur Russian Cinema Festival, as well as in Russia (Artdocfest Festival, Moscow). In 2014, he finished his second movie, "Territory of Freedom" which was premiered in the official competition in Visions du Réel (Switzerland) and theatrical released in february 2015 and which won the award of Documentaire sur Grand Écran at the Amiens Festival. "We'll be alright" is his third film and will be screen as a world premiere in the Feature International Competition in Visions du Réel Festival (Switzerland). Formerly a photographer, Alexander begins his cinematographic career in 2009 by participating in a writing residence. He directed his first documentary in 2010 and finished his second movie in 2014. Both were screened and awarded in several festivals all around the world. 

Tonislav Hristov

Tonislav Hristov is a crazy Bulgarian guy who moved to Finland and started to make films. In RULES OF SINGLE LIFE (2011) he explores his divorce from his then-wife and that of his friends. LOVE & ENGINEERING (2014) is a film about digital geeks looking for analogue love. SOUL FOOD STORIES (2013) premiered at IDFA 2013 and ONCE UPON A DREAM in Karlovy Var 2015. His works have been shown at Tribeca, Karlovy Var, Sarajevo Film Festivals, IDFA, Hot Docs, Visions du Réel Nyon, Busan International Film Festival and many others. 

Tiffany Hsiung

Tiffany Hsiung is an award-winning filmmaker based in Toronto. Her approach to storytelling is driven by the relationships she builds with people. Since 2009, Hsiung has been documenting the lives of survivors of military sexual slavery during World War II, inflicted by the Japanese Imperial Army, for her first feature-length film, The Apology (2015). For the past six years, Hsiung has been advocating in communities and universities across North America for the grandmothers (survivors known as “comfort women”), as they fight for justice, by sharing their stories. Her most recent presentation at the United Nations in New York brought to light one of history’s greatest and unresolved injustices on the world stage for human-rights issues.

Subscribe to