In August 2021, staff at the most widely read newspaper in Kabul, ‘Etilaat Roz’, are left with an impossible choice after the Taliban seize power: stay and continue reporting—risking torture, imprisonment, and death—or join thousands of others attempting to flee the country. ‘Etilaat Roz’ staff member Abbas Rezaie films his colleagues as they navigate the days that changed their lives and the direction of the country.
In March 2022, Russian troops withdraw from a small town in the Kyiv region, and Ukrainian citizens emerge from their homes to clean their streets, rebuild, and face a new day while grieving all that’s been lost. This film poignantly captures how a small community continues with life amid trauma and loss, while war rages on close by.
Silent Love is a coming-of-age and a coming-out story. Aga, 35, is legally adopting her teenage brother, Milosz, after their mother’s death – a process that invites intense probing into her lifestyle. However, there’s something she can’t share in their conservative Polish village: her long-term relationship with her girlfriend Maja.
In 2007, Reyhaneh Jabbari, 19, is sentenced to death in Iran for the murder of a man who tried to rape her. The efforts her family and supporters undertake open a window into the mass oppression and silencing of women in Iran, and the risks taken by those who defend and support them.
Canada-based co-directors Habibata Ouarme and Jim Donovan capture personal stories and deep moments of support in a small community of women from West Africa, who are confronting social norms and embracing the inherent power in pleasure and love for their own bodies.
In the UK, years of austerity have pushed people to their limits and youth violence has been on the rise. BikeStormz, a movement of young bikers, attempts to offer a safe and welcoming space. However, new forms of conflict arise when police and “concerned citizens” threaten arrest for their very existence.
When a circus tent is put up outside his apartment, filmmaker Reid Davenport, a wheelchair user, reflects on the corrosive legacy of the “freak show” and the paradoxical spectacle and invisibility of disability.
Dominic Ongwen is the first former child soldier prosecuted by the International Criminal Court (ICC). Theatre of Violence follows Ongwen’s lawyer and his team as they investigate, build a defence strategy, and try to answer the central question: how do we define “justice” when the perpetrator is also a victim?
The Grab reveals a new world order in which global power will be held by those who control not oil, but food.
“Despite the ongoing brutality, the nation is not on its knees. The movie’s essence is singing, hugging, volunteers bearing gifts, and children drawing pictures for the soldiers who are keeping them safe. That's beauty: People who know how to laugh and love.” – filmmaker Evgeny Afineevsky